Crosses the River Avon
Bridges lined with shops have always been rarities, but Robert Adam's creation in Bath has more than novelty value. His restrained composition of curves and rectangles was one of the visual delights of English Neo-classicism. The uncluttered lines of the river facades were designed to be effective at a distance, while the elevations to the road provided an interesting play of light and shadow for passers-by. Paradoxically, the success of the concept destroyed the architecture. Within twenty years of its building, commercial pressures on this prime shop site dictated an expansion upwards, with a butchery of those graceful elevations which fortunately Adam was not alive to witness. Then in the nineteenth century, individual leaseholders enlarged their shop windows or cantilevered out over the river as the fancy took them. Storms and road widening also took their toll. By I948 the buildings had 'become pathetic travesties of the original design.'" In that very year, Bath City Council removed a wooden structure from the back of one shop; the tide had turned. From then on the story has been one of gradual restoration.
Each year in June, the people of the comunidad campesina of Huinchiri, along with villagers from three other nearby communities, rebuild a suspension bridge across the canyon of the upper Río Apurimac. The bridge is a keshwa chaca made of ropes hand woven of qqoya grass, a type of Andean bunchgrass. A steel girder bridge crosses the canyon a short distance upstream from the keshwa chaca, so it is not necessary that this rope bridge be rebuilt for any present-day transportation purposes. And yet the Quechua people continue to build the bridge annually, as apparently they have done since Inka times. It is their custom, and by maintaining the bridge they honor their ancestors and Pachamama.
Japan is the home of the small picturesque bridge of timber arches, frequently built without the use of a single metal nail or bolt. Christian Barman cites Japanese bridges as examples of ‘exquisitely perfected temporary construction’. Briges and temples were often rebuilt anually. the famous Kintai-kyo bridge at Iwakuni used to have its five arches rebuilt in succession, so that the whole bridge was renewed every twenty-five years. According to Japenese belief structures must never be allowwed to fall into decay as that would enfeeble the spirit of continuity on which the survival of mankind depends (H. Shirley 32).
Luoyang Bridge, China’s earliest stone beam bridge built in the seaport, spans the Luoyang River from south to north in the southern suburb of Quanzhou... Luoyang Bridge was built from 1053 and was completed in 1059... Built from light grey granite, the bridge resembles a silver dragon lying above the green water. The bridge features ship-like piers and a unique method of oyster consolidation. The ship-like piers could easily cut the rapid current in the river. Thousands of oysters were bred around the footstones and piers so that their secretions would act as kind of cement. This was the world’s first example of the use of biology in bridge building and shows the great wisdom of the ancient Chinese people.
Perrine's Bridge is the second oldest bridge in the State of New York, after the Hyde Hall Bridge in East Springfield. Once located in the hamlet called Perrines Bridge between 1850 and 1861. It is located in the modern day town of Esopus-Rosendale, New York just a few hundred feet to the east of Interstate 87 crossing of the Wallkill River in Ulster County, New York. Originally built to aid in the movement of trade between the towns of Rifton and Rosendale, the bridge is about two hours northwest of New York city between mile markers 81 and 82 on the New York State Thruway (I-87).
Alcantara Bridge over the Tagus was built by the Roman, Caius Julius Lacer, for the Emperor Trajan.
“Some of the mightiest and most impressive Roman Bridges, which fall broadly into two groups, are to be found in Spain. On the one hand there is the long low bridge of many nearly equal arches acros a broad river valley. Of this kind are the bridges of Salamanca, Cardova, and merida. As a contrast there is themajestic majestic lofty bridge of few and unequal arches thrown across a wide rocky gorge (H. Shirley 21).”